The Sony A7III is the heartbeat of my photography—a camera that has been with me through every kind of landscape, light, and weather. Its full-frame sensor delivers stunning detail, even in low light, making it a reliable tool for capturing the depth and mood of nature.

Description goes Great photos start with great gear. I use the Sony α7C full-frame camera because it captures more light, more detail, and less noise—giving me crisp, high-quality images every time.

Compared to smartphone and compact camera sensors, the full-frame sensor is way bigger, which means better performance in low light, richer colors, and sharper details. Whether it’s deep shadows or bright highlights, this setup keeps everything looking natural and professional.

Perfect for capturing the beauty of nature, just as it is.here

Description If I had to pick just one lens for landscape, travel, and forest photography, this would be it. The Sony FE 24-105mm f/4 G OSS is my go-to for sharp, high-quality images with versatile framing options—from wide-angle woodland scenes to tight telephoto compositions.

The constant f/4 aperture gives smooth, natural bokeh, while Sony’s fast and quiet autofocus ensures precise focusing whether I’m capturing still landscapes or handheld video. Built to handle dust and moisture, it’s perfect for shooting in unpredictable outdoor conditions.

At just 663g, it’s light enough for all-day shoots without compromising on performance. If you're looking for a one-lens solution for outdoor photography, this is it.goes here

The Sony FE 70-200mm F4 G OSS is my go-to telephoto zoom when I need reach without sacrificing mobility. Whether I’m compressing layers in a dense forest, isolating wildlife, or capturing moody landscapes, this lens delivers stunning sharpness and contrast.

Description goes herA sturdy, reliable tripod is a must for landscape and forest photography, and the Benro Mach3 TMA38CL Carbon Fibre Tripod delivers on all fronts. Lightweight yet strong, it supports up to 16kg—perfect for larger DSLRs and telephoto lenses.

For forest photography, its carbon fibre legs and twist locks make it easy to adjust on uneven ground, while the spiked feet add stability on rough terrain. The short centre column is great for low-angle macro shots, letting you capture intricate forest details, from fungi to fallen leaves.

With a max height of 177cm and a folded length of just 59cm, it’s built for photographers who need versatility on the move—whether trekking through dense woodlands or capturing expansive landscapes.

When it comes to landscape photography, having a rock-solid, smooth-moving ball head is a game changer. The Benro G2 is my go-to because it offers precision control, ultra-smooth adjustments, and serious stability—even with heavier gear.

The dual panoramic function makes it easy to fine-tune compositions, especially for wide scenic shots. Plus, its compact but rugged design means I can trust it to hold my camera steady, whether I’m shooting long exposures or setting up on uneven terrain.

For me, it’s all about control, reliability, and capturing landscapes exactly as I see them.

More than once, these gloves have kept my fingers from going numb on long winter shoots. The Flip-Tech fingertips let me adjust settings on the fly, and the Merino wool lining keeps my hands warm without bulk. The non-slip grip is perfect for handling my camera in frosty conditions, and the built-in tripod key has been a lifesaver when adjusting gear in freezing temps. See here: https://photographygloves.com/?rfsn=7877271.982a887

With enough space for 1-2 camera bodies, 5-7 lenses (including my 70-200mm), a 13-inch laptop, and even a DJI Mavic drone, it’s got all the room I need without feeling bulky. The side pockets are perfect for my tripod or a large water bottle, while the WeatherWrap rain cover has saved my gear more than once when the skies decided to turn.

The best part? The ergonomic design makes carrying all that weight comfortable for long days in the field. Whether I’m chasing light in the woods or heading off on a multi-day shoot, this bag keeps my kit safe, accessible, and ready to go—no matter the conditions.

The Mavic 2 Pro is a beast. It’s as simple as that! Having come from the Mavic Pro 1 this thing is leaps and bounds ahead. A few of the highlights for me are the 1-inch sensor and variable aperture, which basically puts your DSLR up in the sky! Transmission and battery life is great too!

This was one of those things I didn’t know I needed until I got it. If you are similar to me and like to quickly switch between handheld and tripod due to fleeting conditions this is worth every single penny. The quality is exceptional and very smooth to use.

I’m sure we have all been there with GoPro. You see all that awesome footage they peddle and you are just like ‘I need this’ so you spend £350 and it just sits in your cupboard, car or backpack. But this thing is worth every penny. The 20mp camera produces some stunning shots in and out of the water. The 5k is awesome too, even if it kills your laptop. It’s a great all-rounder when a heavy kit is a no-go. Easy to use and the stabilization is just pure magic.